North America, shot on expired film. Mostly shot in the so-called South: Kentucky, Tennessee, but also in Oregon and Vermont.

Israel, seen through medium format: a place where ancient and modern exist in the same frame — and where the word “old” often means something different than it does in Europe.

Portraits on film. The emulsion adds its own layer — grain softens, color shifts, the film has its own idea what the subject should look like. The results are a collaboration between the person, the camera, and the chemistry.

Trees on film. A species that outlasts most of what surrounds it. Photographing them on film can be seen as a conversation between two slow things.

Vehicles left behind. Expired film understands the assignment.

Objects that persist after their purpose has faded — kept, forgotten, or too stubborn to disappear. Preserved on film. An ongoing project 2014-2026.

Urban textures — walls, corners, light on concrete. The grain of expired film and the grain of a city — maybe in dialogue.